Megavision and PR Lighting Present 38th Miss Nigeria Pageant

Posted: 07-23-2013

Megavision and PR Lighting Present 38th Miss Nigeria Pageant

Products Involved

Megavision and PR Lighting Present 38th Miss Nigeria Pageant

Although only one year old, MarkOsho’sMegavision Lighting was contracted to deliver a spectacular set for thisyear’s MissNigeria pageant in Lagos —the 38th edition of thisannual event.

Held at the Intercontinental Hotel,Victoria Island, infrontof 2,400 of the country’s leading A-list VIPs, celebrities and socialities,Oshohimself based much of hislighting design around PR Lighting effects — using sixeach of the XR200 Beam and XLED 1037 to create the impact, along with four XLED336 and 12 Xpar348.

Each of these fixtures boasts a differentattribute. The XR 200 Beam derives its incredible moving beam output from a Platinum 5R lamp, while the XLED 1037 — arecently introduced LED moving head — is characterised by the use of 37 x 10Watt RGBW LEDs (containing four colours in one). The XLED 336 is small, superbright, compact LED moving head while the Xpar348 is a low-noiseenergy savingversion of the traditional analogue par can.

Working within a set designed byBolajiDurojaiye of Equally Diverse Solutions, the fixtures were mounted onthree sided trussing, measuring 5m(H) x 9m (W) x 13m (L) and mixed with discharge andother LED bars, helped deliver a vibrant colour canvas of blue and purple. Theshow itself was run from an Avolite Pearl Tiger 2010 console.

Mark Osho says it was the experience gainedin purchasing the new generationPR Lighting products for other clients (andpersonal use) that convinced him they would become popular items in MegavisionLighting’s own hire fleet. “I was impressed with their quality, but also PRLighting’s friendly on-time service and warranty policies,” he said. “Wepresently have six each of the XR200 Beam and XLED 1037 — but plan to increasestock before the end of the year.”

The Miss Nigeriaevent organisers (African Times Network andBeth Model Management Africa) were delighted with the set design and the impactof the lighting, which they noted “had the flexibility to switch mood as theprogramme progressed.”

According to Mark Osho they believed it was the event’sbest ever lighting production in its long history.


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